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La pubblicità è la parte più veritiera di un giornale.
Thomas Jefferson
C'era un articolo sulla rivista del New York Times questa settimana su un'artista che continua a vendere le sue opere nonstante il clima economico; poco di strano, che si parla d'arte a New York, ma questa volta si tratta di un'artista di Second Life, Filthy Fluno all'anagrafe Jeff Lipsky, pittore e soprattutto venditore d'arte in SL... o meglio, trova in SL clienti RL in tutto il mondo, e a loro vende la sua arte per dollari veri. Se non ti ho scandalizzato con questo discorso di sporco lucro, puoi leggere qui l'articolo scritto da Sara Corbett (in SL Marshmella Muggins). E ora tutti in piedi per una nostra diva dell'arte, Yaia Nishi!
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The most truthful part of a newspaper is its advertisements.
Thomas Jefferson
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Yaia is 22 years old, an art student at the Accademia delle Belle Arti di Napoli, (this is her in normal form and you'll also see her dressed as the figure on the bus in some of the other photos) . The art she's brought into SL represents her academic life - the pictures were all part of her school work. I really liked the drawings at the beginning of the exhibition, they're portraits of the RL faces behind many of Yaia's SL friends. Keep walking around the exhibit at Tanalois and you'll see her historical costume collection, again work prepared for an exam. Yaia is obviously very talented at drawing, but her first love is sewing and when she graduates she'd really like to become a costume designer. Another interesting part of the exhibit is the 'mummy on the bus', as I like to call it, a piece of street art, a person-package being carried by the whim and wisdom of the bus driver.... inspired by the process of commuting - yes, they commute, even in Naples.
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Finally, don't miss the Cheeky Squirrel exhibit. It has something of Wallace and Gromit about it. Here Yaia has used SL to illustrate the libretto of an operetta for children, Lo scoiattolo in gamba. Written by Eduardo de Filippo, the story was inspired by an essay by his daughter Laura. It's a fairy story about a squirrel who loses his teeth, and can't eat his acorn. He meets and the King, who gives the squirrel a set of golden dentures and hires him to work as cook in the Royal Kitchen. Like all good squirrel stories, and kitchen stories, things go comically wrong. De Filippo's libretto was set to music by another great Italian Nino Rota (think The Godfather, as well as the soundtracks of the films of Fellini and Zeffirelli). It will be performed for children at the Academy of St. Cecilia in Rome during the last weekend in March. Yaia's RL professor Vallifuoco designed the sets for this production, and Yaia's Second Life pictures will be projected under the stage to create a multi-media effect, and help the children follow the story as it unfolds, bringing SL into the world of Fine Art once again, where it so richly deserves to be.
Go to Rome and see the show at Santa Cecilia, or, alternatively, stay home and pop over to see Yaia's exhibition at Tanalois all month long, along with a new exhibition by Feathers Boa (see below) and of course turn on the sound to catch the wonderful jazz that makes Gemini Isle so cool.
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