Je compris là le pouvoir fabuleux de la
peinture.Kandinsky, On seeing a Monet, 1910
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Soleil Snook: I was intrigued by the idea of using Second life to express Beauty. It is a subjective idea, but each person knows beauty when they see it, a visceral response, and the French Impressionists do that for me. I wanted to create something that was like walking in a painting, and I see gardening as a way of painting with plants. Giverny is a beautiful place in Real Life, and combines all the things I love, gardening, art, architecture and character of place. My friend and sim-sharer Kaye Robbiani built and owns Ville de Giverny, a residential sim next door. She has used some great photo representations for her replica buildings, like the historic Hotel Baudy where so many American artists stayed - and where SL residents can now stay too.
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In 1883 Monet and his partner Alice Hoschedé moved into the farmhouse, seven years later, Monet was financially secure enough to be able to buy the property and, on the other side of what at that time was a farm track and is today a road busy with tourist traffic, start digging his lily pond at the end of the garden. The house has a deceptively humble appearance: among the illustrious guests who visited here were Cézanne, Rodin, Mary Cassat, and French Prime Minister Georges Clemenceau. Monet saw out the Great War in London, and travelled extensively around Europe, but this small house on the river Epte was his home for 43 years.
Soleil Snook: We tried to terra-form in a way that captures the lie of the land around Giverny and looked to paintings by Monet for the orchard, the sea walks, fields and hay stacks. My partner Omicron Llewellyn and I have hand-drawn textures from RL photos to create something SL-consistent that draws inspiration from the actual place. To copy it verbatim wouldn't be in keeping with the spirit of art: the Giverny of Second Life is Omicron Llewellyn's and my 'impression' of Giverny. The new Bistro is of course our own, and the notes to and from Claude Monet are a whimsical touch, as is the Perbiatium Conservatory for Tropical Plants, with our own version of the Loch Ness Monster!
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Soleil Snook: Gosh, the hardest thing is to keep it fresh and beautiful with plants in their seasons. Keeping the whole place active and alive, and growing an active artisan community that is thriving. The Lily Pond is as close as I could make it to the Real one, including the rotation of plants with the seasons. Fighting Alpha issues has got to be the most frustrating thing. My favorite places in Giverny are the Lily Pond and The Perbiatium Conservatory, because they are colourful, which to me means Beautiful.
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Soleil Snook: Giverny evolved around my first garden center in Caledon, and Kaye who combined open sims with me to create this place, owned a furniture shop. It's beauty that interests us, not financial gain. The sim is commercial, but we attract and keep merchants who are first artisans in their chosen work in SL. By supporting artists we enable them to continue to bring to Second Life the very best of what is offered. Artists in RL let alone SL can not survive on air. It's interesting to speculate on how someone like Monet would have used Second Life. If it had been around in his time, I think he'd have used it to build on what he had already created, I don't think that he would have become photo - realistic. I think he would have pushed the limits of the medium as he did in Real Life. He kept busy, and so do we, for example in October we will have the Festival Autumne de Giverny, which will be music, art, plants, clothing, a French themed celebration of the Harvest. We'll feature the sculpture of Martini Discovolante in the main square. We have Weekly Live Concerts again with Prog Folk Duo Pillowfish and guitarist Jean-Christophe Chevalier, who lives in the RL Giverny area. You can join our group on the sim, it's a subscribomatic easel and won't take a slot in your groups.
Thirza Ember: Your Giverny is lovely. If you were able to visit a similar sim dedicated to another artist, author or musician, who would you pick and why?
Soleil Snook: My favorite American Artist is Georgia O'Keefe. She pushed all the boundaries of the time, in her art and her life. Her use of color is amazing to me. The first time I saw a real live Georgia O'Keefe painting at the Art Institute in Chicago tears came into my eyes, it was so extraordinarily beautiful. I think what Kate Miranda is doing with classical music on Cedar Island is wonderful.. She really does it for the love of Classical music and for the artists and audiences.
Next stop Cedar Island, then, for me... let's hope I manage to lose Ruth in the ether.
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Molto brutto questo periodo, in SL per me, afflitta del 'Ruthismo' avevo gran bisogno di immergermi nel Bello... e l'ho trovato presso il giardino del grande pittore impressionista Claude Monet. Non serviva prendere ancora un'altro benedetto aereo in Real - basta con i viaggi lunghi per un po' - ho potuto visitare casa sua, il suo famoso giardino pieno di giochi di prospettiva, e il bellissimo lago con le ninfee, ma non solo, anche il paesino di Giverny dove molti pittori statunitensi, discepoli di Monet, hanno stabilito una colonia; inoltre, ho potuto fare una passeggiata sulla spiaggia immaginaria dei suoi quadri, e nel frutteto della sua fantasia - il tutto grazie, naturalmente, a Second Life SL Giverny. Creazione di tre bravi builders, Kate Robbiani, Soleil Snook, e Omicron Llewellyn, Giverny in SL è arte, storia, giardinaggio, e shopping, tutti all'insegna della Bellezza.Soleil Snook: Per me la Bellezza è fondamentale, un sentimento viscerale quanto soggettivo. Ho voluto utilizzare SL per dare un senso di ciò che io trovo bello - i colori vivaci e la sensualità dell'impressionismo. Sono appassionata sia dell'arte che del giardinaggio in RL, e in SL ho cominciato da subito a creare e vendere textures di fiori e piante nella zona di Caledon, i sim che ricordano il periodo nel novecento. Da qui nasce l'idea di portare nel metaverso la casa e il lago delle ninfee di Monet.
Abbiamo voluto adoperare due tecniche diverse nella land: textures fotorealistiche e altre che sono elaborate su una base autentica ma che sono disegnate a mano per adeguarsi alle esigenze e lo stile di Second Life. Se vogliamo, un'impressione della casa di Monet e dintorni, anziché una replica fedele, anche se molte strutture, come ad esempio la Chiesa, sono molto vicine alla realtà, e abbiamo seguito con la nostra terra-forming, un senso del paesaggio francese.
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