...that's about levels after levels after levels of puzzles and
It's 2007. At La Cittadella, two newbs observe the line of people waiting to camp at the Discoteca.
What this place needs is something to do
, kinda like WoW-lite, an hour-long mini quest, along the lines of a disaster movie. Like The Poseidon Adventure
. Look at all these people queuing to camp! Suppose 10 of them paid, idk, 20L to play. They'd be the cast of the story facing hazards and obstacles; along the way, 8 of them 'die'. The two who make it out alive get 50L. They meet new friends, have fun, and we make some money.
It's an idea. Do you know anyone who could script something like that? Or build it? Or find the land to do it on? Or deal with the complaints from disgruntled players?
Um, no, no, no and no.
I thought not. Let's go dancing.
He was right. I hadn't got any of those skills. But around the same time, across the grid and in Finland, Kiana Writer
was taking a broadly similar notion and turning it into a dream come true. Not the Poseidon Adventure, but the Harvey Hunt.
It took me a while to figure out this place and what was possible
here. I was a cop at a race track, then a host at Dance
Island. It used to crash nonstop and you'd have to wait a long time to
get back online but people would still do it and not whine so much. I
started writing for magazines and exploring a lot, and I wondered why there weren't things to do that I enjoy. Point and click
adventure games for example. I wanted to
try something. A friend and I brought out Where the
Hell is Harvey Wayne
on Feb 22nd, 2008. I used the connections of the sim owners I had
written about and placed a lot of posters around.
They funded the cypher-driven hunt by charging the venues involved, so they didn't put RL money into the game at all. On the back of that success they then set up a Survivor-type game with two tribes competing for a prize. After a while, though, Kiana's partner got fed up with all the whining and quit, after ejecting all the members and flattening the land. Even that setback didn't dampen Kiana's spirit. She determined to carry on alone. Alone, up to a point. She set up a hunt by herself, but soon others were volunteering themselves and their friends to get involved. The Zodiac Killer
was the next venture, and soon it was called MadPea
, and Kiana found herself surrounded by a team, many of whom who have come to be like family. So many personalities, so many ideas. Does she have to be tough?
Well, there's only one 'Queen'! You could say I'm here for my people skills. There's no room for egos in our group, that includes mine too. We
co-exist happily and have roles; everyone has enough creative freedom
in their role that follows the concept idea. I have people coming to me
all the time with ideas, and I'm like sure great thanks, but how
would you actually make this happen? Come back when you
have something concrete. We have a never-ending chest of ideas
hunt was how she met builder/3D Artist/designer Waghorne Truss.
Kiana showed up at my store one day
asking to put up posters for her Zodiac Killer
game. I was interested in what
she was doing and eventually got involved with it myself. I worked on all the original games: Mad Mines
, Swamp Hotel
, Notes from the Voyage
. My favourite was The Kaaos Effect
, mainly because its use of
"holodecks"- it was
pretty innovative at the time. Building all the different time
periods was a lot of fun. There's always the element of surprise working with talented
builders and scripters. They come up with ideas and
approaches that I would never have thought of working alone. Working as a freelance designer can be
a bit lonely sometimes; this is exciting and interesting.
Money would be nice but I'm more interested in helping Madpea expand
to its full potential, maybe spreading to other platforms eventually.
Not every working relationship goes as smoothly as that, and as with any long-term organization, Kiana has had her share of headaches; people with serious issues who have done everything from sabotage builds, to threatening blackmail, to arguing with themselves during team meetings. There's also the sadness of bring someone on board, showing them the ropes, getting friendly only to then have that person leave SL or move on to some other group. Just like the real world, then. With one huge exception: no big money. As Harter Fall,
Creative Director at Mad Pea, puts it, "We put more into this than we get out.
This is all about dedication and passion for me."
Harter Fall: Kiana and me accidentally ran into each other at a party 2 1/2 years ago. Back then my focus was
mainly on art, working on my LEA Sim. I showed Kiana my work and she
showed me hers and the rest is history. Together with Kiana I organize and plan our designers' work and much of the visual concepting. I do also a lot of 3D Modeling, 2D and Level Design, Video Editing
and Audio Engineering. The most challenging aspect for me is to
keep all we build performance and low lag. The most fun is to work
with brilliant designers and scripters from all around the
|At Unia - still a work in progress, hence the pink prim, part of the team's construction setup|
Kiana has a killer imagination. Almost all her games involve murder mysteries, and the biggest, baddest MadPea project is no exception. Called Unia
(Finnish for 'Dream') is has been more than twelve months in the making, and promises to make every other so-called immersive installation you've ever seen seem small and shallow by comparison. In this preview there aren't going to be any plot points given away because the whole point is, it's a mystery, but a mystery on loads of levels.
Even seen on the run, without grasping all the backstory, it was easy to tell that Unia is an ocean of thought-provoking adventures that will keep people coming back again and again, trying to get to the heart of the matter. Think Lost
meets Twin Peaks
meets Stephen King. And they all run into the Girl with the Dragon Tattoo.
I'm a lucid dreamer and most of my ideas come from my nightmares.
It's like movies in my head so I thought that I will make my
nightmares into a game.
In this case, the cream of SL artists like Fuschia Nightfire
, Jaimy Hancroft
, Bryn Oh
and more have been brought in to turn Kiana's dreams into magnificent and wildly varied scenes. Other scenes have been built by MadPea regulars like Fae Varriale
and RAG Randt.
Each one contains puzzles, dangers and clues to help you solve the overarching mystery of Unia.
Kiana kindly allowed these exclusive photos to be published, and they aren't in the windlight you'll experience when the project opens, and they also show, here and there, prims that are part of the construction process. They reflect the fact this is still a work in progress, but more, they hint at the professional level of communication between team members. The vast size and number of different scenes is literally astonishing.
It's obvious this is going to be one of those build you will visit over and over, for days maybe weeks, trying to solve all the pieces, getting sucked in to the story, probably working with friends, or making new friends as you work your way around the different chapters of the story.
I am deep inside an optimist. I like to believe in the
good of people, yet I kill them in my games :D
Another member of the team is all round artist graphic designer and Blender buff, RAG Randt
I experienced a cool Madpea game a few years ago that took me to
various really cool builds. I was impressed by the quality of the
games and particularly of the builds. Fast forward a couple of years
and Harter Fall and I shared a LEA sim. I knew Harter's work and liked it very
much. as we were building, we became better acquainted and he said he
was working for Madpea. I believe he asked me if i would be
interested in working there as they needed builders for their new
homebase, Carnival. At that time I was getting into Blender and mesh
and I thought this would be a great opportunity. Harter introduced me
to Kiana and then I was hired.
His contribution to UNIA was in collaboration with Abramelin of Abranimations, and his wife Wildcat Snowpaw - the intense building experience, which included an actual RL injury! - comes through in the haunting, intriguing build. Normally, this scene alone would be considered a triumphant interactive installation that you'd be talking about for weeks - yet it's just a fraction of what Kiana and her team have in store for you at UNIA!
It's a hud-driven adventure, and you're going to have to use all your ingenuity, observation and problem-solving skills. You will also have to walk. Or swim.
It's not giving anything away to say that if you're at all afraid of old people, flying bugs, burning furniture, small spaces, drowning, acid, guns, or scary rabbits, this environment is going to frighten you to bits, in the best possible way. Fae Varriale agrees. She came on board around the time of Carnival, and also helped build the INCA hunt - her fave, since she loves caves; but Unia is special. So is working together.
Some people think it would be a
glamorous job to work as part of the MadPea team, but it is
actually very hard work a lot of the time and real staying power is
needed to see projects through with a high level of quality. I
personally have been working on UNIA for a year, plus various other
projects alongside that. Without the amazing multi talented team we
have none of this would come together in the way it does, everybody
plays an important part, and after all the hard work the sense of
achievement when we see the finished project is amazing.
She's not exaggerating, or just speaking as an interested party.
This is hands down the best build you've ever seen in SL, for the size and quality of the build, the behind-the-scenes technical magic, and the deeply complex and compelling story. And it's all for a nominal fee. Unlike my newbie idea of an hour long game, you'll be able to lose yourself in Unia for weeks.
Some come thinking that this is just fun and all we do is play and
have no idea how much work it is some of the ppl do 12 hour days here
that's clearly not expected but the workload is a lot for very little
money in return it truly takes a person to believe in the concept and
what we're doing and to understand that we're not going to be rich by
doing this... and we're not doing this for money.
Beyond the cost of the HUD, you can contribute, should you wish, by leaving a donation at The Green Mire
. It's the least we can do. When you've seen it, you'll know what I mean. Kiana's dream - the dream to create an effective company in SL, the dream to bring people engaging entertainment, and the way she has taken bad dreams and turned them into something outstanding, while remaining a modest single mum, just goes to show what an exceptional person she is. And Unia expresses it on a philosophically metaversal scale.
: I strongly believe that there is so much wrong in the world at the moment and
many things make people be so selfish and not give a shit about each
other nothing feels like anything anymore. Each of my games has a little lesson no matter what, they make people feel. If I can
make a person feel something during the game.. anger, hate, joy,
happiness.. then I feel that's a success. There are too many zombies
walking around without emotions to themselves or the people close to
them. In this game for example, you have to figure out would you
sacrifice someone, would you die for someone? Will you bring your
friend in to rescue you?
I guess we're going to find out.
Check the MadPea blog
and inworld group for announcements about the opening of Unia, and - see you there!